THE TEAM
Alex Tennent and Eric Wasserman have known each other
for thirteen years and have always wanted to collaborate creatively.
It was Alex’s
concept to have Eric adapt his own book of short stories for the screen
for him to direct as his first feature. Working together, the two have
taken three major stories from Eric’s book along with characters
from several others and have linked them together into one narrative
with new intertwined relationships. Alex contributed his visual sensibility
during the entire process of Eric adapting his own work into the screenplay. “I
don’t believe literal adaptations always work for the screen,” Alex
says. “What is essential is to capture the spirit of the source
material and then make it your own. I’m really excited that Eric
has embraced constructing a script that showcases half of its elements
from his book but also provides compelling original material to give
an audience a more cinematic experience.”
Both Oregon natives, Alex and Eric have approached the script development,
and now the project’s preproduction, with care for depicting the
characters and their Portland surroundings with emotional authenticity. “Growing
up in Oregon carries its own special experience,” Eric says. “Alex
implicitly understands that. If you’re going to present Portland
life, especially that of young people, whether that be its Jewish community
or capturing the general essence of what makes the Northwest unique,
it needs to be in the hands of a director with a personal reference point.”
Community is first in the minds of both the director and writer. They
plan to shoot the entire film around Portland, Oregon and surrounding
locations. Likewise, the movie will showcase many local talents, including
area musicians for the picture’s score. “I want the film
to be intimate,” Alex says. “Movies are a collaborative art
form. If I work with a production team that takes pride in their sense
of place in the world that will inherently transcend to the screen, whether
it’s the actors bringing Eric’s characters to life or a dedicated
crew wanting to capture minute details.”
Principle photography for the movie is tentatively being organized at
this time, and the project will be financed entirely from individual
investors (more information will be forthcoming for interested investors). “Writers
are typically apprehensive of their work being placed in the hands of
others,” Eric says. “I’m lucky not to have that worry.
It’s a rarity that a writer can sit back and watch his work being
interpreted with the utmost sincerity. Perhaps that’s what friendship
is about.”
MORE INFORMATION TO COME; STAY TUNED
FOR DEVELOPMENTS